Vanishing crafts
TANGIBLE HERITAGE. Drawing from ancestral materials and objects, this collection reclaims forgotten crafts as a living and fragile heritage.
This collection emerges from ancient crafts and materials that carry the trace of time, forms repeated for centuries. There is no nostalgia here, but a living memory that still breathes through the gestures of the hands.
Each piece is condensed time. A slow imprint, shaped by repetition and silence, where matter is transformed through a delicate tension between form and restraint.
Working in the midst of nature shifts everything into a different rhythm. The pieces take on soft, almost organic movements, as if they remembered trees and their invisible cycles. Together in the workshop, they resemble a small forest: quiet, subtle, alive.
To create becomes a space of full presence, where time expands and mistakes are part of the path. A place where ancient gestures reappear, as if they had always been there, waiting to be repeated once again.
Each piece is unique within its series. Although the materials have been treated and protected, they may change over time.
Iron circles and cane
114x135x108 cm
1080gr
Iron circles, wood and cane
165x112x69cm
3160gr
Iron circles, wood and cane
165x112x69cm
3160gr
MAR INTERN
Mar Intern (Inner Sea) is a series of ornamental pieces that, through visual poetry, express universal feelings. In this collection, I revisit ancestral clothing, appropriating the belief in its healing power with the desire for a shift in collective consciousness.
Nature plays a central role, represented with great
admiration for the inherent beauty in everything our planet creates. The materials selected for this works include invasive species, at risk of extinction, or overexploited.
In Roman times, the Mediterranean Sea was also called Mare Internum (Inner Sea), and I adopt this name because all the elements of the collection come from the Mediterranean and, at the same time, represent the inner sea that we all carry within.